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In the active years of the Pecs Workshop, he engaged mostly in land art actions, concept photography and performance. From 1973 onward, as a result of these Balatonboglar impulses, such themes began to appear in Kismanyokys photos as Replacement, Concealment, Masking, Burning and Sinking which consistently outline a concentrated interest in the process and transformation, coupled with the artists serial thinking.
The exhibition also features an enamel work created by the artist in 1970, which depicts a Moebius strip and an elaborate pattern.
These not only engage in a dialogue of forms with the eyes watching from the wall, but, by alluding to a transformation of shapes, a reorganization of landscape, and relationships within space, they also resonate with the phenomenon and conceptual domains of looking.